Thread: The Three Kayas
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Old 26-07-2018, 02:24 PM
jonesboy jonesboy is offline
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Buddha renounced his father’s kingdom and went to the jungle where he did six years of ascetic practice. Upon

becoming enlightened, he turned the wheel of the Dharma many times for many students and so became very famous in

India. After awhile, his family invited him to come back to his homeland to teach. Buddha said he would not come to

the palace, but that he would stay outside the main city. So the Buddha’s father and a local ruler named Zangdon who

was under his dominion, had a special retreat dwelling built for the Buddha and his students. Buddha came and stayed

there and began giving regular teachings.

Buddha was already known as the “Omniscient One,” being knowledgeable about every aspect of the past, present, and

future. But King Zangdon had his doubts about that. In order to test him, Zangdon collected one grain of rice from each

of two thousand five-hundred families. Each grain was wrapped individually, numbered, and put into a common basket

which was brought before the Buddha. King Zangdon wanted to see if the Buddha could tell him which grain came

from which family So one by one, the Buddha examined the grains and told him which households they had come

from. The king observed his list of numbers and names and saw that the Buddha’s answers were all correct. There were

no mistakes. He bowed respectfully to the Buddha and declared, “Now, I know you are omniscient. You are obviously

enlightened.” Finally, Zangdon became very devoted. This is just an example of the qualities of the mind of a supreme

emanation.

The second Nirmanakaya, or birth emanation incarnates even in the animal and non-visible realms, using different

names and forms, male or female, as they are needed. There are many Jataka stories of Buddha taking birth in animal

worlds as a fish, a turtle, a bird, a monkey, a bear, and a lion, as well as among humans and even in the god realms.

These are all birth emanations or “tulkus.” They may or may not appear in the traditional way, wearing robes and all.

Tulkus may not even necessarily be recognized as buddhas, but in every case, they are born to remove obstacles and

dualistic conceptions, to free sentient beings from ignorance, and bring about the perfect understanding of primordial

wisdom.

The third nirmanakaya is called the “artisan emanation.” These appear as objects of art and the artists who make them

for the benefit of sentient beings. Thangkas, statues, and even music are some of the forms these emanations take.

Beautiful, inspired works of art which bring clarity, peace, joy, and something special which seems to touch the heart

center, are all known as artisan emanations.

There was a famous musician named Rlanga who felt that he was the supreme guitarist. And he was a very special

musician, but he was also proud and arrogant. He thought he was incomparable to anybody in the world. He was

always playing his music and never had any opportunity to see Buddha or receive teachings. He appreciated the

Dharma, but he was attached to playing music and felt he should spend his time practicing. He really thought he was

the greatest.

Rlanga heard the Buddha was going to enter mahaparinirvana and thought that he should visit him soon to receive

teachings and have some contact. But he was still very involved in music and maintaining his pride. So right before he

entered mahaparinirvana, the Buddha thought, “Now what is it I still have to give sentient beings with this body? Who

may I serve? Who is left?” Through his wisdom he saw Rlanga in his present condition. So Buddha emanated as one

very special musician and went to the door of Rlanga with a thousand-stringed mandolin. When Buddha started to play

and the famous musician heard that music, he began to listen closely and thought, “Who could that be?” He had to

come outside and bring his mandolin. Soon, he noticed that Buddha hardly even moved his fingers. Plucking one string

resonated all the others. Rlanga was unable to do this. The vibration of the music seemed to separate out the whole of

space into many different voices of the Dharma which were of real benefit to this famous musician. He thought, “So

there is someone more accomplished than myself! I am not the best...” At that moment his arrogance and pride

dissolved. He felt very grateful to hear the Dharma through that mandolin.

Any kind of art which provides temporary or ultimate help for sentient beings by awakening love and compassion is

known as an artisan emanation.

The emanations of various things manifest in a variety of ways. These can appear as rain, fire, or wind. During times

when sentient beings are troubled with diseases, they may come in the form of special herbs and medicines for healing,

or perhaps when beings are in danger of losing their lives, suddenly something miraculous occurs and saves them. All

of these things are various forms of the nirmanakaya.

There is really just one Buddha. Every person who becomes enlightened has the ability to transform or emanate in these

three kaya states. So basically again, a buddha is anyone who has fully developed love, compassion, wisdom, and

skillful means, and whose obscurations and habitual patterns have been purified; one who has realized a totally free,

devotional state. That being, that person, that individual is known as an enlightened being or a Buddha.

This is the teaching of the Three Kayas.
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